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[La mission de l’artiste]
[Parallelism - The Mission of the Artist]
Conference, Société des amis des Beaux Arts, Fribourg, March 12, 1897; "Société des amis de Fribourg. Conférence par M. Hodler", I, II et III, "La Liberté de Fribourg", March 18, 19, 20, 1897, p. 3.
Author(s): Ferdinand Hodler
Associated movement: Symbolism
Language : French
Medium : Oral|Periodical Press
Original edition of the manifesto: Conference, Société des amis des Beaux Arts, Fribourg, March 12, 1897; "Société des amis de Fribourg. Conférence par M. Hodler", I, II et III, "La Liberté de Fribourg", March 18, 19, 20, 1897, p. 3.
Where can we find this manifesto? Caws, Mary Ann, Manifesto - A century of isms, University of Nebraska Press, 2000
Which critic recognizes the work as a manifesto ? or: Typical characteristics of a manifesto Caws, Mary Ann, Manifesto - A century of isms, University of Nebraska Press, 2000
Editorial comments: This manifesto in Mary Ann Caws' Anthology is in fact an extract from "The Mission of the Artist", a conference by Ferdinand Hodler held on March 12, 1897 in Fribourg at the Société des amis des Beaux-Arts, then published a week later in 3 parts in "La Liberté de Fribourg", March 18, 19 and 20, 1897. The original version published in "La liberté de Fribourg" can be found here: https://www.e-newspaperarchives.ch/?a=d&d=LLE18970318-01&e=-------fr-20--1--img-txIN--------0-----
Does the work corresponds to the definition of a manifesto? No
Does the work qualifies itself as a manifesto?
Is the signature individual, collective, or individual but in the name of a collective? Individual
Gender of the author(s): H