L’arte non è vera creazione

[Art in not real creation]

Distributed as leaflet printed on red paper during the exhibition “Manzoni, Sordini, Verga” in Galleria Pater, Milan, 29 May 1957
Associated movement:
Language : Italian
Medium : Leaflet
Original edition of the manifesto: Distributed as leaflet printed on red paper during the exhibition “Manzoni, Sordini, Verga” in Galleria Pater, Milan, 29 May 1957
Where can we find this manifesto? http://reader.ilmiolibro.kataweb.it/v/174911/IL_CASO_PIERO_MANZONI#!; Tristan Sauvage, Pittura italiana del dopoguerra, Edizioni Schwarz, Milan, 1957; Antje Kramer (ed), Les grands manifestes de l'art des XIXe et Xxe siècles, BeauxArtséditions, 2011
Link(s) to the manifesto:
Which critic recognizes the work as a manifesto ? or: Typical characteristics of a manifesto Kramer, Antje (ed), Les grands manifestes de l'art des XIXe et Xxe siècle, Paris: Beaux Arts éditions, 2011.
Editorial comments: The text is not titled as a manifesto, but the authors considered it as a manifesto according to multiple original sources (interviews and declarations). The three painters are close to two collective movements of the time, the nuclear art groupe (Enrico Baj and Sergio Dangelo) and the spatialists; starting from 1956, they will start to distribute a series of manifesto-like leaflets during theirs exhibitions and in litterary cafés in Milan, Rome and Naples, following Fontana's exemple and model
Does the work corresponds to the definition of a manifesto? No
Does the work qualifies itself as a manifesto?
Is the signature individual, collective, or individual but in the name of a collective? Collective
Gender of the author(s): H