Published with a different title in December 1915 in Petrograd, to coincide with the exhibition "0.10" at the Art Bureau; then, rewritten and with the present title, published in November 1916 in Moscow, accompanied by a reproduction of Malevitch work Quadrangle.

Author(s): Kazimir Malévitch

Associated movement: Supermatism

Language : Russian

Medium : Leaflet

Original edition of the manifesto: Published with a different title in December 1915 in Petrograd, to coincide with the exhibition "0.10" at the Art Bureau; then, rewritten and with the present title, published in November 1916 in Moscow, accompanied by a reproduction of Malevitch work Quadrangle.

Where can we find this manifesto? Kramer, Antje (ed), Les grands manifestes de l'art des XIXe et Xxe siècle, Paris: Beaux Arts éditions, 2011. Danchev, Alex, 100 Artists' Manifestos. From the Futurists to the Stuckists, Penguin, Londres, 2011.

Link(s) to the manifesto:

Which critic recognizes the work as a manifesto ? or: Typical characteristics of a manifesto Kramer, Antje (ed), Les grands manifestes de l'art des XIXe et Xxe siècle, Paris: Beaux Arts éditions, 2011. Danchev, Alex, 100 Artists' Manifestos. From the Futurists to the Stuckists, Penguin, Londres, 2011.

Editorial comments: Written in polemical response to Tatlin and his futurist credo: "Nous avons rejeté le futurisme et nous, qui sommes les plus audacieux, nous avons craché sur l'autel de son art. […] Nous, suprématistes, nous vous lançons une route. Depechez-vous! Car demain vous ne nous reconnaitrez pas"